Tuesday, August 8, 2017

Mile 5, Random Musings

Now that I’ve had one day to normalize after four days at Mile of Music, it’s time to document a few of my random musings from this amazing musical festival. In no particular order, here they are…

  • Most of the time we hear recorded music first and then later, once we become fans of the artist, see them live. Good artists really make their recorded music come alive while performing. Mile of Music is a bit the opposite. In many instances our first interaction with the artist is seeing them live and then acquiring music from their recorded catalog. I saw a few artists at the Mile who blew me away and then I listened to their recorded music and the recorded music fell flat. It didn’t even come close to matching the energy of the live performance. So if you’re a band reading this, I cannot emphasize enough that your recorded sounded should somewhat match your performance sound. I know it’s not an easy feat, but often this is the primary means to piquing our interest in seeing you live. (This musing was written with one band primarily in mind. Nonetheless, I know it can pertain to all to some degree.)
  • Milwaukee’s Tigernite needs to be on the schedule next year. Energetic performances to all-original music that goes toe-to-toe with most of the rock bands at Mile 5.
  • The unsung heroes: the sound people. On the final day I really began to pay homage to these folks. Outside of Mile of Music, it’s not uncommon for a band to take an hour to properly set up the sound. At the Mile, it’s usually done in minutes and the best ones can make changes quickly and dial it in by song two. I saw a great example of this on the final day for the The Kernal’s show at the Radisson courtyard. Song one came across a little to guitar heavy and light on the bass. By song two it was dialed in and guitar, bass, and vocal could clearly be heard in equal measures.
  • Related to the prior musing, the sound people needed to remain attentive and responsive during the performance. The most common phrase uttered at Mile 5 was “Can I get a little more guitar/bass/drum/vocal in my monitor?” Often this was said during a song or even with a quick hand gesture. Again I marveled at how quickly the correction could be made. 
Graham getting the shot
  • How many Graham Washatkas are there? Twins? Triplets? Man, it seemed that everywhere I was, Graham was there. Lots of people worked hard over these four days, but few probably worked harder than Graham. His photos, though, are proof that hard work pays off. They’re great!
  • Fast Romantics. How are they not mega-famous yet? I know all performers at the Mile are good to great, but Fast Romantics’ big, catchy, and polished pop songs embed earworms that I cannot shake. They look good live and lead singer, Matthew Angus, is a captivating performer. And related to my first musing, their recorded versus live music are within about 10% of each other, i.e., their latest album pretty much capture their live energy. I’ve got a feeling this band is on the cusp of something big, but it won’t be an overnight success story… they’ve been at it since 2009!
  • If I heard it once, I heard it a hundred times: Appleton is the friendliest place. Performer after performer made this comment between songs. I found it to be true, too. People seemed genuinely concerned about blocking another’s view, personal space was available at most shows in ample supply, and in quieter venues, a pin dropping could be heard hitting the floor. 
  • Holy highballs, Batman. People sure get drunk in Appleton! On Friday and Saturday nights I made my way back to my room at the Radisson along College Avenue after 1:00 AM. While I, too, had a few beers in my system, I could not believe how staggeringly drunk people were. I mean, I bet there was one block I walked where I didn’t see a single person who could walk a straight line. I saw one dude vomiting off the curb and another walked right into a wall. Another bizarre one was where one big dude picked up another and started spinning him. I thought, “This won’t end well,” and it didn’t. They soon crashed down onto the sidewalk in pain, but managing to laugh. They’re lucky they didn’t split their heads open. Sheesh, have a good time, people, but don’t hurt yourselves.
Smooth Hound Smith packed the house
at Outer Edge
  • Did you see Smooth Hound Smith? DID YOU SEE THEM?? Zach Smith could be a carnival act he's got so much talent. Drumming while playing the guitar and harmonica. I can't pat my head and rub my belly at the same time yet Zach seems to be only lacking more extremities to make even more music. Amazing.
  • While people may be super nice in Appleton, inebriation does cause them to lose good manners and etiquette. I was at a few earlier shows where people would be standing near quieter, more performance attentive people and just blabbing loudly away. I recall one performer commenting, “Thank you for letting me disrupt your normal drinking time.” It was said in good humor and not acerbically, but I really do think it was meant to be snide. This said, most people don’t behave this way, it’s just that the disrespectful are so easy to notice.
  • Calliope Musicals. Wow. I never got to see the early 80’s Tubes, but the 20 minutes or so that I got to see Calliope Musicals (their 2nd show was shortened by a storm), I imagine this is what it must’ve been like. I feel like jumping in my car and heading to whatever town they’re playing in next to see the rest of the show!
  • Another Milwaukee-area band that needs to be at Mile 6 is NINETEEN THIRTEEN. They last played at Mile 3, but at Mile 6, they need to play in the Chapel. I’ve seen them numerous times at, but the Chapel would be the perfect place to see and hear them. Janet Schiff's 105-year old cello just begs to be heard there.
All in all, just another great Mile of Music. I'm a fan for life and can hardly wait for Mile 6.

Peace. Love. Music.


No comments:

Post a Comment